Our universal museums, in turn, collect, study, and display both works of art and antiquities, including antiquities that were excavated, generally displaying the latter as if they were works of art. So, for example, while we do at least sometimes distinguish “antiquities” from “antiques” in everyday speech, we very seldom distinguish “archaeological materials” from either, and under “antiquities” we include all sorts of ancient artifacts and artworks that were never buried, forgotten, and subsequently excavated. The underlying assumption, that archaeological materials and artworks are the same kind of things, is deeply embedded in our language and our cultural institutions. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.As the title of this volume indicates, the topic of archaeological looting is usually thought of as a subset of the larger category of art crime, analyzable using the same general approaches as those used to describe and model the theft of artworks. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it.
Szerkesztő:Rita/Dél-itáliai vörösalakos vázafestészet.
Such commercial use includes, but is not limited to, use in (a) any form of advertising, and (b) any company name, logo, trademark, image, activity, or product. A further authorization by the Italian Ministry of Heritage and Culture is required for reproduction for any other purpose, and particularly for commercial use. Reproduction of this image is permitted for personal use or study. Among other things, these regulations provide for the payment of a concession fee by those who intend to benefit economically from reproductions of property belonging to the Italian cultural heritage. These regulations, unrelated to copyright regulations, establish a system for the protection of Italy’s historic and artistic heritage and its standards of dignity. 42, dated January 22, 2004, and its subsequent amendments. of the Italian Code of Cultural Heritage and Landscape under Legislative Decree No. Such images are regulated by Articles 106 et seq. This image reproduces a property belonging to the Italian cultural heritage as entrusted to the Italian government. 42, dated January 22, 2004, and its subsequent amendments, regarding the reuse of the picture. English: Euphronios krater in the National Archaeological Museum of Cerveteriįurther authorizations required by the Italian " Code of Cultural Heritage and Landscape" (Codice Urbani), under Legislative Decree No.
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